BASS-BARITON
Christian Henneberg is a 2nd generation German bass-baritone.
After his acclaimed house debut at the Staatstheater Saarbrucken as Alberich in Wagner's "Das Rheingold" he can now be heard in the title role in "Der fliegende Holländer" at the Theater Görlitz in the Wagnerian season 23/24.
After his acclaimed house debut at the Staatstheater Saarbrucken as Alberich in Wagner's "Das Rheingold" he can now be heard in the title role in "Der fliegende Holländer" at the Theater Görlitz in the Wagnerian season 23/24.
"Henneberg's vocally strong and ditterentiated portrait of the role of the Night Vale...
left a lasting impression".
left a lasting impression".
K. Scharffenberg (Das Operngals Ausgabe 12/2022)
„Das Rheingold“ / Saarländisches Staatstheater
„Das Rheingold“ / Saarländisches Staatstheater
MORE ABOUT
K. Scharffenberg (Das Operngals Ausgabe 12/2022)
„Das Rheingold“ / Saarländisches Staatstheater
„Das Rheingold“ / Saarländisches Staatstheater
"Henneberg's vocally strong and ditterentiated portrait of the role of the Night Vale...
left a lasting impression".
left a lasting impression".
Der Holländer
Gerhart - Hauptmann Theater Görlitz
Dirigentin: Ewa Strusińska
Regie: Andreas Rosar
März 09, 15, 17, 23, 28 & 30 | April 01
Gerhart - Hauptmann Theater Görlitz
Dirigentin: Ewa Strusińska
Regie: Andreas Rosar
März 09, 15, 17, 23, 28 & 30 | April 01
Tickets
DER FLIEGENDE HOLLÄNDER
DIE ZAUBERFLÖTE
Kaiser Maximilian I.
Musikalische Komödie Leipzig
Dirigent: Tobias Engeli
Regie: Rahel Thiel
April 13, 14, 20 & 21 | Mai 04, 05, 25 & 26
Musikalische Komödie Leipzig
Dirigent: Tobias Engeli
Regie: Rahel Thiel
April 13, 14, 20 & 21 | Mai 04, 05, 25 & 26
HANS SACHS
Tickets
SPRECHER / PRIESTER
Gerhart - Hauptmann Theater Görlitz
Dirigentin: Ewa Strusińska
Regie: Barbara Schöne
März 22 | April 07 & 18 | Mai 11, 12 & 18
Gerhart - Hauptmann Theater Görlitz
Dirigentin: Ewa Strusińska
Regie: Barbara Schöne
März 22 | April 07 & 18 | Mai 11, 12 & 18
Tickets
Der Holländer
Gerhart - Hauptmann Theater Görlitz
Dirigentin: Ewa Strusińska
Regie: Andreas Rosar
März 09, 15, 17, 23, 28 & 30 | April 01
Gerhart - Hauptmann Theater Görlitz
Dirigentin: Ewa Strusińska
Regie: Andreas Rosar
März 09, 15, 17, 23, 28 & 30 | April 01
DER FLIEGENDE HOLLÄNDER
DIE ZAUBERFLÖTE
SPRECHER / PRIESTER
Gerhart - Hauptmann Theater Görlitz
Dirigentin: Ewa Strusińska
Regie: Barbara Schöne
März 22 | April 07 & 18 | Mai 11, 12 & 18
Gerhart - Hauptmann Theater Görlitz
Dirigentin: Ewa Strusińska
Regie: Barbara Schöne
März 22 | April 07 & 18 | Mai 11, 12 & 18
Kaiser Maximilian I.
Musikalische Komödie Leipzig
Dirigent: Tobias Engeli
Regie: Rahel Thiel
April 13, 14, 20 & 21 | Mai 04, 05, 25 & 26
Musikalische Komödie Leipzig
Dirigent: Tobias Engeli
Regie: Rahel Thiel
April 13, 14, 20 & 21 | Mai 04, 05, 25 & 26
HANS SACHS
Tickets
Tickets
Tickets
STAGE PHOTOS
STAGE PHOTOS
PORTRAIT PHOTOS
PORTRAIT PHOTOS
WEITER
WEITER
Berg:
2. Handwerksbursche (Wozzeck)
2. Handwerksbursche (Wozzeck)
Mozart:
Figaro (Le nozze di Figaro)
Don Giovanni (Don Giovanni)
Papageno (Die Zauberflöte)
Sprecher/Priester (Die Zauberflöte)
Figaro (Le nozze di Figaro)
Don Giovanni (Don Giovanni)
Papageno (Die Zauberflöte)
Sprecher/Priester (Die Zauberflöte)
Puccini:
Gianni Schicci (Gianni Schicci)
Ping (Turandot)
Sciarrone (Tosca)
Gianni Schicci (Gianni Schicci)
Ping (Turandot)
Sciarrone (Tosca)
Strauss:
Die Stimmen der Wächter der Nacht (Die Frau ohne Schatten)
Die Stimmen der Wächter der Nacht (Die Frau ohne Schatten)
Turnage:
Deputy Mayor, Patron, Runner (Anna Nicole)
Deputy Mayor, Patron, Runner (Anna Nicole)
Verdi:
Marullo (Rigoletto)
Ein Diener/ Mörder (Macbeth)
Graf von Lerma (Don Carlo)
Deputierter (Don Carlo)
Marullo (Rigoletto)
Ein Diener/ Mörder (Macbeth)
Graf von Lerma (Don Carlo)
Deputierter (Don Carlo)
Wagner:
Alberich (Das Rheingold)
Der Holländer* (Der fliegende Holländer)
Wolfram von Eschinbach* (Tannhäuser)
Alberich (Das Rheingold)
Der Holländer* (Der fliegende Holländer)
Wolfram von Eschinbach* (Tannhäuser)
Weber:
Kaspar (Der Freischütz)
Kaspar (Der Freischütz)
Weil:
Sparbüchsenbill (Aufstieg und Fall der Stadt Mahagonny)
Sparbüchsenbill (Aufstieg und Fall der Stadt Mahagonny)
*- studierte Partien
Donizetti:
Belcore (L’elisir d’amore)
Belcore (L’elisir d’amore)
Humperdinck:
Vater, Peter Besenbinder (Hänsel und Gretel)
Vater, Peter Besenbinder (Hänsel und Gretel)
Lortzing:
Kaiser Maximilian I.* (Hans Sachs)
Kaiser Maximilian I.* (Hans Sachs)
Matthus:
Apotheker Gieshübler (Effi Briest)
Apotheker Gieshübler (Effi Briest)
Benatzky:
Leopold Brandmeyer, Zahlkellner (Im weißen Rößl)
Leopold Brandmeyer, Zahlkellner (Im weißen Rößl)
Loewe:
Prof. Henry Higgins (My FairLady)
Prof. Henry Higgins (My FairLady)
Strauss:
Dr. Falke (Die Fledermaus)
Dr. Falke (Die Fledermaus)
Webber:
Artie Green (Sunset Boulevard)
Artie Green (Sunset Boulevard)
Bach:
H-Moll Messe BWV 232
Matthäus- Passion BWV 244
Johannes- Passion BWV 245
Weihnachtsoratorium BWV 248
H-Moll Messe BWV 232
Matthäus- Passion BWV 244
Johannes- Passion BWV 245
Weihnachtsoratorium BWV 248
Beethoven:
9. Sinfonie
9. Sinfonie
Loewe:
Das Sühneopfer des neuen Bundes
Das Sühneopfer des neuen Bundes
Brahms:
Ein deutsches Requiem op.45
Ein deutsches Requiem op.45
Mendelssohn:
Paulus op.36
Elias op. 70
Paulus op.36
Elias op. 70
Britten:
War Requiem op.66
War Requiem op.66
Mozart:
Requiem KV 626
Requiem KV 626
Dvorák:
Requiem op. 89
Requiem op. 89
Orff:
Carmine Burana
Carmine Burana
Fauré:
Requiem
Requiem
Schumann:
Szenen aus Goethes Faust
Szenen aus Goethes Faust
Händel:
Messiah HWV 56
Saul HWV 53
Messiah HWV 56
Saul HWV 53
Hayden:
Die Jahreszeiten
Die Schöpfung
Die Jahreszeiten
Die Schöpfung
Gay:
Herbert Parchester (Me and my Girl)
Herbert Parchester (Me and my Girl)
Kálmán:
Tihanyi (Die Herzogin von Chicago)
Tihanyi (Die Herzogin von Chicago)
Lehár:
Baron Zeta (Die lustige Witwe)
Baron Zeta (Die lustige Witwe)
Linke:
August Lämmermeier (Frau Luna)
August Lämmermeier (Frau Luna)
oper
KONZERT
OPERETTE / MUSICAL
Berg:
2. Handwerksbursche (Wozzeck)
2. Handwerksbursche (Wozzeck)
Mozart:
Figaro (Le nozze di Figaro)
Don Giovanni (Don Giovanni)
Papageno (Die Zauberflöte)
Sprecher/Priester (Die Zauberflöte)
Figaro (Le nozze di Figaro)
Don Giovanni (Don Giovanni)
Papageno (Die Zauberflöte)
Sprecher/Priester (Die Zauberflöte)
Puccini:
Gianni Schicci (Gianni Schicci)
Ping (Turandot)
Sciarrone (Tosca)
Gianni Schicci (Gianni Schicci)
Ping (Turandot)
Sciarrone (Tosca)
Donizetti:
Belcore (L’elisir d’amore)
Belcore (L’elisir d’amore)
Humperdinck:
Vater, Peter Besenbinder (Hänsel und Gretel)
Vater, Peter Besenbinder (Hänsel und Gretel)
Lortzing:
Kaiser Maximilian I.* (Hans Sachs)
Kaiser Maximilian I.* (Hans Sachs)
Matthus:
Apotheker Gieshübler (Effi Briest)
Apotheker Gieshübler (Effi Briest)
oper
”
“
Mecklenburgisches Staatstheater Schwerin, Der Freischütz , IOCO Michael Stange
Christian Henneberg was convincing as Kaspar. He distinguished himself with his pithy heroic baritone, his demonic force and excellent vocal shaping.
”
“
Le nozze di Figaro, Volkstheater Rostock, Thomas Kunzmann IOCO
The opera is carried in particular by the central couple Figaro and Susanna. Christian Henneberg is a guest in Rostock, with immense improvement over his already very solid Don Giovanni in Cottbus three years ago. His magnificent baritone adjusts flexibly and cleanly to every new situation and mood, fully embracing the staging. He gives the title character the necessary emotional volatility, moving through the full spectrum of love, jealousy, vendetta, setback and triumph, and justifying the naming of Mozart’s masterpiece after him rather than the clearly more present Susanna
”
“
Staatstheater Cottbus, Don Giovanni, Thomas Kunzmann, IOCO
Christian Henneberg is a real eye-catcher as Don Giovanni. His supple movements and athletic interludes give an idea, even without explicit glances into the bedrooms, that there is an expert at work. Vocally, he offers a highly focused, beautiful voice which radiantes a calm confidence.
”
“
Le nozze di Figaro, Volkstheater Rostock, Thomas Kunzmann IOCO
The opera is carried in particular by the central couple Figaro and Susanna. Christian Henneberg
is a guest in Rostock, with immense improvement over his already very solid Don Giovanni in Cottbus three years ago. His magnificent baritone adjusts flexibly and cleanly to every new situation and mood, fully embracing the staging. He gives the
title character the necessary emotional volatility, moving through the full spectrum of love, jealousy, vendetta, setback and triumph, and justifying the naming of Mozart’s masterpiece after him rather than the clearly more present Susanna.
is a guest in Rostock, with immense improvement over his already very solid Don Giovanni in Cottbus three years ago. His magnificent baritone adjusts flexibly and cleanly to every new situation and mood, fully embracing the staging. He gives the
title character the necessary emotional volatility, moving through the full spectrum of love, jealousy, vendetta, setback and triumph, and justifying the naming of Mozart’s masterpiece after him rather than the clearly more present Susanna.
”
“
Mecklenburgisches Staatstheater Schwerin, Der Freischütz , IOCO Michael Stange
Christian Henneberg was convincing as Kaspar. He distinguished himself with his pithy heroic baritone, his demonic force and excellent vocal shaping.
”
“
Staatstheater Cottbus, Don Giovanni, Thomas Kunzmann, IOCO
Christian Henneberg is a real eye-catcher as Don Giovanni. His supple movements and athletic interludes give an idea, even without explicit glances into the bedrooms, that there is an expert at work. Vocally, he offers a highly focused, beautiful voice which radiantes a calm confidence.
© CHRISTIAN HENNEBERG.
2023 Alle Rechte vorbehalten.
Datenschutzerklärung und Impressum
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2023 Alle Rechte vorbehalten.
Datenschutzerklärung und Impressum
web by nataliexsss
© CHRISTIAN HENNEBERG.
Datenschutzerklärung und Impressum
2023 All rights reserved.
web by nataliexsss
Datenschutzerklärung und Impressum
2023 All rights reserved.
web by nataliexsss
